Ink Art on Plates Friday June 28 2019 East Kingston Nh

Openings and events effectually the region

Connecticut

Art Museum, University of Saint Joseph

1678 Asylum Ave., West Hartford, CT
(860) 231-5399
usj.edu/artmuseum
Due west–Sa eleven–four

Opening March 25: Feminine Mysteries: Iv Works by Ann McCoy, reflects the creative person'southward longstanding use of alchemical symbolism and Jungian psychology to address universal themes, such as self-cognition and spiritual transformation. Also on view, Embracing our Environment, explores human interactions with nature and is part of campus-wide programming inspired past the bicentennial of Frederick Police force Olmsted's nascence.

Milton Avery (American, 1893–1965), Riders in Cardinal Park, watercolor, fourteen x 21″ (35.56 x 53.34 cm). Art Museum, University of Saint Joseph. Gift of the Reverend Andrew J. Kelly, 1937.i.69. At Art Museum, University of St. Joseph.
Fairfield University Art Museum

Fairfield University
200 Barlow Rd., Fairfield, CT
(203) 254-4046
fairfield.edu/museum
Through June 18: Tu–Sa xi–4

Bellarmine Hall Galleries: Adger Cowans: Sense and Sensibility. Cowans (American, b. 1936) is a celebrated lensman whose wide-ranging piece of work includes the civil rights movement, jazz musicians, landscape, and creative studies of the man form, water, and low-cal. This exhibition explores how Cowans uses photography as a vehicle to articulate beauty within the human condition, and the world in which nosotros live, and features over 50 works. Walsh Fine art Gallery: thirteen Ways of Looking at Mural: Larry Silver's Connecticut Photographs. Silvery, a Photo League-inspired photographer still working today, moved from New York to Westport, CT, in 1973. With his camera, he began exploring his new regional environs, and pushing the boundaries of what landscape and looking is and tin can be. This exhibition brings together over 40 years of Silver'south work made of and in Connecticut.

Larry Silvery, Sitting at Water's Edge, Sherwood Island Country Park, Westport, CT, 2014/2022. Courtesy of the artist and Bruce Silverstein Gallery, New York. ©Larry Silver. At Fairfield University Art Museum.
Gallery on the Dark-green

5 Canton Green Rd., Canton, CT
(860) 693-4102
robloebell@gmail.com
galleryonthegreen.org
robloebell.com
F–Su one–5

Opening March 18: Brusk Stories, a solo showroom of wood sculpture past Robert Loebell. Each 'story' is a response to a specific event—Covid, January 6th, a wedding, a safari, an art opening spilling out into the street in Provincetown. Working generally from personal photographs, the images are carved in different types of forest.

Robert Loebell, Covid Picnic, 2022, bloodwood, maple, oil paint, 11 ten 22 ten 4″. At Gallery on the Greenish.
Hartford Public Library

500 Main St., Hartford, CT
(860) 695-6300
contactus@hplct.org
hplct.org
M–Th 9–6, F–Sa 9–five

On view in the library's Hartford History Center: Suffragist sculpture by artist Marilyn Parkinson Thrall, funded by the Roberts Foundation, and the award-winning exhibition October 1920: Jubilant the Centennial of Women'southward Suffrage. Opening May xiii on the ArtWalk: Artifact by Megyn Craine, a collection of piece of work that mixes common materials with various concepts—from Alzheimer's to Ancient Greece—to reveal unseen connections and create new layers of meaning from our everyday experiences.

Marilyn Parkinson Thrall, The Art of Perseverance, 2022, mixed media. At the Hartford History Middle at Hartford Public Library.
Hoppin Gallery

71 Main St., Farmington, CT
sshea@farmingtonlibraries.org
farmingtonlibraries.com
M, T, Th 9–5, West xi–7, Sa 9–5

Out from Under the Rock: Recent Paintings by Grier Torrence, includes people-places-and-things compositions and plein-air paintings as seen on griertorrence.org. Paintings include: Grandparents Day, When I'1000 64, Awards, Swans of Wintertime, Unionville Immigrants, The World Gets Round, After the Mountains, Peach Orchard Hill, The Cup That I Beverage, In the Light of a Dissimilar Age, Above the Jump, From Hamilton Steps, Reveille, Outdoor Service, and Circling Back. Reception: Saturday, July 9, 11:thirty a.m.–12:30 p.m

Grier Torrence, World Gets Round, 2020, oil on linen, 54 x 50″. At Hoppin Gallery.
Kehler Liddell Gallery

873 Whalley Ave., New Haven, CT
(203) 432-0600
kehlerliddellgallery.com
Th & F 1–half dozen, Sa & Su 11–5

1 of the longest-running art galleries in New Haven, KLG is located in the heart of vibrant Westville, and represents over 25 artists. Through May 22: Forest—Wander, featuring oil painter Frank Bruckmann and photographer Roy Money. Depicting foraged objects and favorite places, two artists bonfire a trail encouraging all to wander through a metaphorical forest. May 26–June 26: Tom Edwards, Backyard Archæology, is built around both objective and subjective observations of Edward'south "backyard" over the last two to threescore years. In What She Left and What She Kept, Sean Gallagher depicts memories of West Cork, Republic of ireland, through the use of heightened and accented colour.

Frank Bruckmann, Laetiporus, oil, 36 ten 48″. At Kehler Liddell Gallery.

Roy Money, Falling Color (detail), 2022, digital archival photograph, 12 ten eighteen″. At Kehler Liddell Gallery.

Tom Edwards, Backyard Archeology (item), 2022, oil and colored pencil, 30 ten 80″. At Kehler Liddell Gallery.

Sean Gallagher, What She Left and What She Kept, 2021, oil on board, eleven x xiv″. At Kehler Liddell Gallery.
Lyme Academy of Fine Arts

84 Lyme St., Sometime Lyme, CT
(860) 434-5232
info@lymeacademy.edu
lymeacademy.edu
Daily 10–iv

January xiv–March 18: Lennart Anderson: A Retrospective. Curated by creative directors Amaya Gurpide and Jordan Sokol in collaboration with the artist's estate and the New York Studio School, Lyme Academy will be the second venue for this first major survey of Lennart Anderson since his death in 2015. The exhibition includes over 25 paintings and drawings from both public and private collections. Anderson was an American artist renowned for his mastery of tone, colour, and composition, and for a didactics career that influenced future generations of painters.

Lennart Anderson, Portrait of Barbara S. (the offset one), 1972, oil on canvas, 21⅞ x 18″. Private collection. At Lyme Academy of Fine Arts.
Mattatuck Museum

144 Due west Master St., Waterbury, CT
(203) 753-0381 x130
info@mattmuseum.org
mattmuseum.org
M–Sa 11–five, Th 11–7, Su 11–4

Opening May 20: The Garden features interdisciplinary works by eight artists, addressing the sensory aspects of nature while embodying the artists' emotional journeys over the grade of this turbulent decade. The Garden was organized by Wylie Contemporary of Mechanicsville, Virginia.

Chris Gregson, Untitled. At Mattatuck Museum.
Mercy Gallery

The Loomis Chaffee Schoolhouse
4 Batchelder Rd., Windsor, CT
christian_ryan@loomis.org
loomischaffee.org/arts/mercy-gallery
Due to COVID-19 restrictions, the Mercy Gallery is not open to the public at this fourth dimension. Exhibitions may exist viewed online.

Through April 12:Melanie Carr: Deconstructing Constructs. Engaging the gallery as a playground of color, Carr's playful, brightly colored pieces question the distinction between sculpture, painting, and pattern. Opening April 26:Sarah Lutz: String Theory. The Mercy is proud to showcase Sarah Lutz'due south new collection of colorful organic abstractions in painting, monotype, and textiles.

Sarah Lutz,String Theory Nine, 2021, monotype, 22 x fourteen″. At The Mercy Gallery at The Loomis Chaffee School.
MoCA Westport

nineteen Newtown Turnpike, Westport, CT
(203) 222-7070
info@mocawestport.org
mocawestport.org
Westward, F–Su 12–four, Thursday 12–7

MoCA Westport presents the art of today to build a dialogue, impact our perceptions and beliefs, and create transformative experiences. From local to national to international artists, its exhibitions and supporting programming both reflect and critically examine our world. Opening March 26: Punk is Coming is a diverse group exhibition featuring iconic photographs, sculptures, films, paintings, and works on paper from the Punk era besides equally gimmicky works heavily influenced past the movement.

Roberta Bayley, Debbie Harry, photograph, ©Roberta Bayley 2022. At MoCa Westport.
New Britain Museum of American Fine art

56 Lexington St., New Britain, CT
(860) 229-0257
nbmaa@nbmaa.org
nbmaa.org

Through May 22: The Poetry of Nature: Hudson River Schoolhouse Landscapes from the New-York Historical Club. A stunning assortment of over 40 paintings drawn from the collection of the New-York Historical Society, The Poetry of Nature illustrates America's scenic splendor as seen through the eyes of over 25 leading Hudson River School artists. Through related programming, the NBMAA will highlight contemporary perspectives on land use, the environment, landscape painting, and what the Hudson River School means today. Plan your visit at nbmaa.org.

Albert Bierstadt (1830–1902), Autumn Wood, Oneida County, Land of New York, ca. 1886, oil on linen. New-York Historical Gild, Gift of Mrs. Albert Bierstadt, 1910.11.
At New Great britain Museum of American Fine art.
New Haven Pigment and Clay Club

New Haven, CT

Announcing the 121st Almanac Juried Exhibition, May eight–29, at the Ely Eye for Contemporary Art on 51 Trumbull St, New Haven, CT. Cat Balco will be the juror, a renowned exhibiting artist and professor of cartoon and painting at University of Hartford Art School. Awards in backlog of $four,000 with purchase funds for the NHP&CC Permanent Collection. All accepted works will be displayed on newhavenpaintandclayclub.org. See rules and register with onlinejuriedshow.com for submission from Feb 14–March 20.
Spectrum Fine art Gallery and Artisan Store

61 Primary St., Centerbrook, CT
(860) 767-0742
events@spectrumartgallery.org
spectrumartgallery.org
Westward–Sa 12–6, Su 12–5

Voted All-time Gallery for Fine art/Gifts on the Shoreline in 2021, Spectrum offers painting, mixed media, sculpture, photography, and an Artisans Store brimming with works in textile, glass, pottery, jewelry. May 20–July 10: Clouds, Winds and Breezes: Established and emerging artists explore these elements of nature and their impact on people and the physical world.

Valerie Pettis, Crashing Waves on Rocks, 2022, watercolor on canvass. At Spectrum Art Gallery.
Wadsworth Atheneum Museum of Fine art

600 Main St., Hartford, CT
(860) 278-2670
info@thewadsworth.org
thewadsworth.org
Th– Su 12–5

Milton Avery is celebrated every bit a preeminent modern painter and one of the greatest colorists of the 20th century. The get-go large-scale survey on the artist in 3 decades, Milton Avery will be on view in Hartford March 5–June 5, 2022, before its final showing in London. Its presentation at the Wadsworth is a significant homecoming for Avery who has longstanding ties to the museum and the state. Exhibition organized past the Royal Academy of Arts, London in collaboration with The Modern Art Museum of Fort Worth and the Wadsworth Atheneum.

Milton Avery, Hubby and Wife, 1945, oil on canvas. Wadsworth Atheneum Museum of Fine art, Gift of Mr. and Mrs. Roy R. Neuberger. 1955.142. ©2021 Milton Avery Trust/Artists Rights Society (ARS), New York. At Wadsworth Atheneum Museum of Fine art.
Yale Academy Art Gallery

1111 Chapel St., New Haven, CT
(203) 432-0600
artgallery.yale.edu
F v–viii, Sa–Su 10–vi

The Gallery's encyclopedic holdings range from ancient times to the present day and represent cultures from around the globe. Ongoing: Chiliadidcentury Brainchild: A Closer Wait and Recent Acquisitions. Ongoing: Gilded in America: Artistry, Memory, Power. Delight visit the Gallery's website to plan your visit and reserve tickets. Free and open to the public.

Dorothy Dehner,Bone Music #1, 1949, pen, ink, and watercolor. Yale University Fine art Gallery, Katharine Ordway Fund. Courtesy Dorothy Dehner Foundation for the Visual Arts. At Yale University Art Gallery.

Maine

Bates Higher Museum of Art

75 Russell St., Lewiston, ME
(207) 786-6158
bates.edu/museum
M, W 10–seven:30; Tu, Th–Sa 10–five; and by appointment. Closed during holidays and between exhibitions.

Through March 26: Lesley Dill: Wilderness: Light Sizzles Around Me, featuring Dill's ongoing investigations, in two and three-dimensional wall hangings and sculptures, into the voices and personas of the American past. Dill gives class to and incorporates the words of activists including John Brown, Sojourner Truth, Anne Hutchinson, and Dred Scott. Through March 19:An Audacious Spirit: The Jane Costello Collection, is art drawn from a pregnant collection given to the college of works focused predominantly on artists living and exhibiting in Maine, and with particular strengths in painting and ceramics. April 15–May 28:Senior Thesis Exhibition 2022, highlighting piece of work selected of graduating seniors majoring in Studio Art.

Lesley Dill,Dred Scott, 2021, acrylic paint on cotton fabric, 100 x 60″. ©Lesley Dill. At Bates Higher Museum of Art.
Colby Higher Museum of Art

5600 Mayflower Hill, Waterville, ME
(207) 859-5629
colby.edu/museum
Tu–Sa ten–v, Su 12–5

Located in Waterville, ME, the Colby College Museum of Art inspires connections betwixt fine art and people through distinctive exhibitions, programs, publications, and an outstanding collection that emphasizes American and contemporary fine art. Through June 5:Jacob Lawrence: The Life of Toussaint L'Ouverture. Through April 17:A Poetics of Atmosphere: Lorna Simpson's Cloudscape and Other Works from the Collection. Ongoing: Deed of Sight: The Tsiaras Family Photography Collection. Opening March 31: Sarah Cain: paw in hand.

Ralph Meatyard, Untitled, c. 1959, gelatin silver print, 158.2020. At Colby Higher Museum of Art.
Institute of Contemporary Art at Maine College of Art & Design

522 Congress St., Portland, ME
ica@meca.edu
meca.edu/ica
West–Su 11–5, Thursday 11–7

March 25–May 6: Visions for our Future; Echoes of our By. The ICA is pleased to present an exhibition of Indigo Arts Alliance Artists-in-Residence Dianne Smith, Nyugen Smith, and Carl Joe Williams. Indigo Arts Alliance of Portland, ME, is an arts eye that embodies a Black-led, multiracial approach to the rich intersections of citizenship, community-building, and creativity.

Nyugen Smith, Bundlehouse: Rising Into Something Else Again, 2021, mixed media on paper, 75 ten 95 10 2″. Courtesy of the artist. Drove of Hudson Valley Museum of Contemporary Art. At Institute of Contemporary Art at Maine College of Art & Design.
Moss Galleries

100 Fore St., Suite B, Portland, ME
(207) 781-2620
liz@elizabethmossgalleries.com
elizabethmossgalleries.com
Portland: M–F 11–iv, Sa by date
Falmouth: Tu–Sa 10–v

Portland, March four–April sixteen: Richard Keen: Sticks & Stones. Opening April 22: Jenna Pirello. Falmouth, March eighteen–April 23: Robert Wieferich & John Knight. Opening April 29: Leslie Parke & Meyer Brothers.

Moss Galleries, installation view.
Saco Museum

371 Main St., Saco, ME
(207) 283-3861
sacomuseum.org
Tu–Th 12–iv, F 12–eight, Sa ten–4
Check website for Sun hours

Through April xxx: Artistic Spirit, an exhibition past the Maine Art Education Association, features paintings, prints, sculpture, photographs, and fiber arts created by visual art teachers from across Maine. The MAEA is a statewide professional person organization whose members are committed to excellence in visual arts education. For more data, visit their website at aeforme.org.

Massachusetts

Ballast House of Artists, the New England Visionary Artists Museum

518 Pleasant St., Northampton, MA
(413) 588-4337
artists@anchorhouseartists.org
anchorhouseartists.org
Tu–Sa ane–six and by appointment

Over 300 affordable artworks by trained and untrained visionary creatives on rotational view at whatever one time, like the artwork shown here by Kevin Bouricius (1951–2019), artist child of a scientific family whose creative output was shaped by religious readings and dream visions. Friday receptions: May 12 and June 9, half dozen–8 p.m.

Kevin Bouricius, Autofest, oil paint/panel. At Ballast House of Artists.
Art for the Soul Gallery

1500 Main St., 2nd fl., Springfield, MA
(413) 231-4598
artforthesoulgallery@gmail.com
artforthesoulgallery.com
Tu–F 11–five, Sa 12–4, Su by appointment simply

Ongoing: Ed Johnetta, master textile and quilt designer. Fine art for the Soul Gallery volition host an exhibition through early bound '22, guest curated by Jonathan Bruce, of newly created museum works by internationally acclaimed textile artist Ed Johnetta Miller. Visit artforthesoulgallery.com for programmatic events, or call Jonathan Bruce at (860) 247-8549.

Ed Johnetta Miller. At Art for the Soul Gallery.
Atlantic Works Gallery

80 Border St., East Boston, MA
(857) 302-8363
contact@atlanticworks.org
atlanticworks.org
F–Sa 2–6 or by appointment

March 4–April 23: Conditions Contradistinct, piece of work by Dominick Takis and Bo Petran focusing on medium and materials on canvas, explores a sense of where nature goes in an surround changed by human activeness, suggesting something that lies beyond, e'er in the process of becoming. Opening reception: Th, March 17, six–nine p.g. Masks and proof of vaccination required. The Atlantic Works Gallery is accepting applications for new members. Run into atlanticworks.org for details.

Dominick Takis, Thicket (detail), 2021, pigment, lichen, spray foam, branches. At Atlantic Works Gallery.
Beacon Gallery

524B Harrison Ave., Boston, MA
(617) 718-5600
contact@beacongallery.com
F & Sa 12–v, Su 11–4, & by appointment

Through March xiii:Malcolm Montague Davis—Retrospective. The first-ever retrospective of works by Malcolm Montague Davis (1933–2021, American). An architect by training, Davis's reinterpretations, meticulous details, and eye for color and perspective showcase the legacy of the Bauhaus. Opening March 18:The Infinite Figure features Sima Schloss and Jamal Thorne. Mixed media works explore the always-changing nature of self and identity and our relationship to culture and society.
Boston Sculptors Gallery

486 Harrison Ave.
Boston, MA
(617) 482-7781
bostonsculptors@gmail.com
bostonsculptors.com
W–Su 11–5

Through March 27: Marilu Swett Depict the Line and Claudia Olds Goldie Letting Go. Starting time Fri, March four, v–eight:thirty p.g. Artists' reception: Saturday, March 5, 2–5 p.k. Meet & Greet with Marilu Swett xi a.m.–5 p.one thousand., March 11, 17 & 20; and with Claudia Olds Goldie eleven a.m.–v p.g., March half-dozen, thirteen, xix & 27. Opening March 30: Julia Shepley Comport and Kathleen Volp Pointed. First Friday, April ane, 5–eight:30 p.m. Artist's reception: Sat, April 9, 3–5 p.m. Come across & Greet with Julia Shepley 11 a.m.–5 p.m., April xvi & 24; and with Kathleen Volp 11 a.thousand.–v p.thousand., April 23 & thirty.

Julia Shepley, Ride, 2021, bamboo, wood, wire, acrylic ink, 36 ten 32 ten 7″. At Boston Sculptors Gallery.

Kathleen Volp, Thing One and Affair Ii, 2022, paper pulp, plaster, acrylic mediums, silicone, 16 x 13 x 11″ (variable). At Boston Sculptors Gallery.
Brickbottom Gallery

1 Fitchburg St., Somerville, MA
(617) 766-3410
gallery@brickbottom.org
brickbottom.org
Thursday–Sa 12–five

March ten–April ix: Connections/Conexiones, 35 contemporary Cuban printmakers. April 21–May 14: BAA Member's Exhibition, Diversified Portfolio. Each creative person shows the range of diverseness within their creativity.
Bromfield Gallery

450 Harrison Ave., Boston, MA
Friday-Sun, 12-5
(617) 451-3605
info@bromfieldgallery.com
www.bromfieldgallery.com
West–Su 12–5

May iv–29: Barbara Burgess Maier: Conversions, mixed media paintings and prints whose disparate elements connect in surprising means. Nina Wishnok: Things Are Getting Nighttime, prints with layered imagery using woodblock, drawing, ink, and copier toner. Reception: Fri, May 6, vi–8 p.m. June 1–26: Alexandra Sheldon: Holding On, collages focusing on the off-kilter and fragmented, as a kind of optimistic prayer. Susan Morrison-Dyke: Modernistic Artifacts, paintings that detect inspiration in sleek mid-century design, along with Cubism and primitive fine art. Reception: Friday, June 3, 6–viii p.m.

Barbara Burgess Maier, Shifting, 2022, mixed media on canvas, 24 x 36″. At Bromfield Gallery.

Nina Wishnok, Red Lady, 2022, monoprint, vi x 6″. At Bromfield Gallery

Alexandra Sheldon, Belongings Steady, 2022, mixed media on newspaper, 11 ten xiv″. At Bromfield Gallery.

Susan Morrison-Dyke, Blueish Tent, 2021, oil collage on museum board, 44 x 36″. At Bromfield Gallery.
Cahoon Museum of American Fine art

4676 Falmouth Rd. (Route 28), Cotuit, MA
(508) 428-7581
info@cahoonmuseum.org
cahoonmuseum.org
W–Su x–4

Opening March sixteen: The Cahoon Museum of American Art invites you lot to experience Action/Abstraction Redefined. This dynamic showroom analyzes mod Native American Art from the 1940s through the 1970s. Action/Abstraction Redefined is organized by IAIA Museum of Contemporary Native Arts, Santa Fe, NM. Support for this exhibition is provided by Fine art Bridges. Visit cahoonmuseum.org for more than information.

Fritz Scholder (Mission/Luiseño), New United mexican states #40, 1966, acrylic on canvas, 73½ 10 51½". MoCNA Collection, MS-41. At Cahoon Museum of American Art.
Hold Art

37 Lexington Rd., Concur, MA
(978) 369-2578
info@concordart.org
concordart.org
Tu–Sa ten–4:xxx, Su 12–four

Concord Art is celebrating 100 years! Learn more at concordart.org/centennial. Main Galleries, through March 24: Members Juried 2: Collage, Crafts, Drawing, Graphics, Mixed Media, Photography, juried past Beth Kantrowitz. March 31–May 8: Becoming Copse, curated by Fritz Horstman. Opening reception: Thursday, March 31 at 6 p.m. Members Gallery, through March 24: SHELDON/IMRICH, Alexandra Sheldon and Steve Imrich. March 31–May 1: Among the Trees. Opening reception: Thursday, March 31 at six p.grand.

Elizabeth Wentworth Roberts, Market, Punta Delgada. At Concord Fine art.
Concord Center for the Visual Arts

37 Lexington Rd., Concord, MA
(978) 369-2578
info@concordart.org
concordart.org
Tu–Sa 11–4, Su 12–4

Main Galleries: Jan 13–February 13: Members Juried 1: Painting + Sculpture, juried past LaiSun Keane. Opening reception and awards: Th, Jan 13. Opening February 24: Members Juried 2: Collage, Crafts, Drawing, Graphics, Mixed Media, Photography, and Printmaking, juried by Beth Kantrowitz. Opening reception and awards: Thursday, February 24. Members Gallery: Jan thirteen–Feb 13: When She Was Skillful, Kim Triedman. Artist reception: Th, Jan xiii. Opening February 24: Steve Imirch and Alexandra Sheldon. Artist reception: Th, February 24.

Nancy Colella, Summer Kitchen, acrylic, 20 x 16″. At Concur Center for the Visual Arts.
Danforth Fine art Museum at Framingham State Academy

14 Vernon St.
Framingham, MA, Flooring two
(508) 215-5110
danforthartmuseum@framingham.edu
danforth.framingham.edu

The museum has a permanent collection focusing on American fine art from the 19th century to the present day, with rotating exhibitions of contemporary, regional artists, and a gallery focused on artist Meta Vaux Warrick Fuller. Opening March 26: Suzanne Hodes: The Engaged Paradigm; Five Years of Aspect Initiative/Contemporary Photography at the Danforth. See website for hours and events.

Suzanne Hodes,Approaching the City/Orangish Heaven, 2006, oil on sheet. Courtesy of the creative person. At Danforth Fine art Museum.
Fitchburg Art Museum

185 Elm St., Fitchburg, MA
(978) 345-4207
info@fitchburgartmuseum.org
fitchburgartmuseum.org
W–F 12–4, Sa & Su eleven–five

Through June 5: American Roadsides: Frank Armstrong'south Photographic Legacy. Through June 5: YoAhn Han: In Search of Floral Bodies. Through May 29: Quirky, Beautiful, Ordinary.

Frank Armstrong, Coshocton, OH, 2019, digital print. Courtesy of the artist. At Fitchburg Art Museum..
Fountain Street Gallery

460C Harrison Ave., Suite 2, Boston, MA
(857) 302-3067
manager@fsfaboston.com
fsfaboston.com
Thursday–Su 12–4, and by date.
Visit fsfaboston.com for additional events and schedule updates.

Through March 27: Exploring the Art of Language, juried by Gabriel Sosa, addresses how advice defines our globe and understanding of
reality. Reception: March four, 5–eight p.m. March 30–April 24:Outlook. Landscapes by photographer Vicki McKenna and painter Chris Plunkett uncover interest in the everyday. Start Fri Art Walk: April 1, five–viii p.m.

Vicki McKenna, Flooded Wetland, palladium print, 12 x 15″. At Fountain Street Gallery.

Chris Plunkett,Purple Sky Over Boston, oil on cradled birch wood panel, 24 x 36″. At Fountain Street Gallery.
Gallery Sitka

2 Shaker Rd., D101, Shirley, MA
(978) 425-6290
office@gallerysitka.com
gallerysitka.com
Hours past date

Gallery Sitka is thrilled to introduce a series of Beginning Fridays: March four: A solo evidence of new work by Melissa A. Richard. April i: A a solo evidence filled with new piece of work past Dug Morton. May vi: The Gallery's Annual World Day Show. All events are 4:30–6:30 p.m. Free and open to the public.

Barbara Groh,Red Sea Grasses, Globe, oil, acrylic on hardboard. At Gallery Sitka.
Griffin Museum of Photography

67 Shore Rd., Winchester, MA
(781) 729-1158
griffinmuseum.org
Tu–Su 12–4

As we thaw out of our winter blues, the Griffin Museum highlights new works and old masters. March 15–Apr ten:Atelier 35 in the Main Gallery.Philip Sager Veiled Actualities in the Atelier Gallery; Stephen Albair, Silent Scenes in the Griffin Gallery. Jon Chase's Coal Land hangs in the Founders Gallery. Opening April 13:David Levinthal. Griffin satellite Griffin@WinCam highlights Jürgen Lobert's Infralucent Clouds through April 29.
Hammond Castle Museum

80 Hesperus Ave., Gloucester, MA
(978) 283-2080
info@hammondcastle.org
hammondcastle.org
March: Yard–Su 10–four, April: F–Su 10–iv

Opening March 19: PROTECTION: an installation of new paintings and large-scale sculpture by contemporary creative person Sarah Dineen exploring the dichotomies between armor and humanity. Painted helmets, shields, tubes, and microphone-trees line the Groovy Hall of the museum. Gratuitous and open to the public.

Sarah Dineen, Protection from Loss of Phonation Helmet (grey), 2019, acrylic on canvas, 24 x xx″. At Hammond Castle Museum.
Harvard Art Museums

32 Quincy St., Cambridge, MA
(617) 495-9400
harvardartmuseums.org

Through April 17: Krzysztof Wodiczko: Portrait examines the state of republic today through a commissioned artwork by internationally renowned artist Krzysztof Wodiczko. Opening March 4: Prints from the Brandywine Workshop and Archives: Artistic Communities spotlights innovative prints from a nonprofit cultural institution celebrated for its collaborative and inventive approach. Opening March iv: White Shadows: Anneliese Hager and the Camera-less Photograph explores how the innovative photographic camera-less photography of German artist Anneliese Hager (1904–1997) relates to science and poetry, in this first exhibition to focus on the role of women makers in the history of the photogram.

Gilbert Stuart (American), George Washington, c. 1795, oil on canvas. Harvard Academy Portrait Collection, Gift of Sidney F. Tyler to the University, 1969, H631. At Harvard Art Museums.

Odili Donald Odita, Cutting, 2016, offset lithograph on white wove paper. Harvard Art Museums/Fogg Museum, Margaret Fisher Fund, 2018.33.44. ©Odili Donald Odita. At Harvard Art Museums.

Anneliese Hager, Untitled (Portrait A. H.), 1947, gelatin silverish print (photogram). Harvard Fine art Museums/Busch-Reisinger Museum, Souvenir of the German Friends of the Busch-Reisinger Museum, 2018.313. ©Estate of Anneliese Hager. At Harvard Art Museums.
Inner Space Fine Arts

189 Main St. (Rt 28), North Reading, MA
(978) 223-8438
innerspace.finearts@gmail.com
innerspace-fineart.com
West 1–5, Thursday–F one–half dozen, Sa–Su 12–four

Opening April two:Juni Van Dyke, Carolyn Latanision, and Paul J. Noel: Color Play, the emotional power of color and low-cal uniquely expressed in abstract and naturalistic works in oil, acrylic, and watercolor. Inner Space Fine Arts is thrilled to feature these prominent New England artists for its beginning group prove of the year. Please join them for the opening reception: Saturday, April ii, 5–7 p.m.
Iris & B. Gerald Cantor Art Gallery

College of the Holy Cross
O'Kane Hall, 1 College St., Worcester, MA
(508) 793-3356
holycross.edu/cantorartgallery
M–F 10–5, Sa & Su 12–5

March x–April x: In Process: Experimental Photography from the Collection of Mark Nevins '86. This exhibition comprises piece of work from the past few decades, by a group of artists who are exploring the medium and technologies of photography in a diversity of ways; reconsidering the role of light, materiality, color, and subject area, to beautiful and often enigmatic results. For over a decade, Holy Cross alumnus Mark Nevins has been building this collection, which includes works by Abelardo Morell, Marco Breuer, Jessica Eaton, Alison Rossiter, Hiroshi Sugimoto, and others.

Bryan Graf, Random Walk 5, Nov, 2013, chromogenic photogram, 44 x 30″. At Iris and B. Gerald Cantor Art Gallery.
Jane Deering Gallery

xix Pleasant St., Gloucester, MA
(917) 902-4359
info@janedeeringgallery.com
janedeeringgallery.com
F, Sa, Su i–5 & by appointment

JDG presents contemporary art by national and international artists, established and emerging. Several months of the year the gallery donates exhibition space to artists through its projects The Lacuna and The Flat File Project (contact the gallery for info). March: gallery is closed. April: The Experimental Grouping | 15 contemporary artists exploring diverse media

Steve Lush, Around Rockport, 2022, oil on sail, 16 x 20″. At Jane Deering Gallery.
Kingston Gallery

450 Harrison Ave., No. 43
Boston, MA
(617) 423-4113
kingstongallery.com
info@kingstongallery.com
W-Su 12-5

March ii–27: Opening reception: Friday, March iv, 5–viii p.m. Volume launch event: Julie S. Graham: three Visual Books, Dominicus, March half dozen, 3–5 p.grand. The Master and Center Galleries: Boundaries/Borders: A Juried Group Fellow member'due south Exhibition. Artists include Ilona Anderson, Bonnie Donohue, Susan Greer Emmerson, Randy Garber, Meagan Hepp, Ponnapa Prakkamakul, and Luanne E Witkowski. The Project Infinite Gallery: Julie S. Graham: Visual Books. March xxx–May one: Opening reception: Friday, April 1, 5–eight p.k. Master Gallery: Stacey Cushner: Tomorrow'southward Yesterdays. Middle Gallery: Dianna Vosburg: Arrival. Projection Space Gallery: Judith Brassard Dark-brown: Around the Curve.

Dianna Vosburg, Flash Blindside, 2021, oil on linen, xvi x 36″. At Kingston Gallery.

Judith Brassard Brown,Dance Under the Night Sky, 2021, oil on canvas, 24 x 24″. At Kingston Gallery.
Krakow Witkin Gallery

10 Newbury St., Boston, MA
(617) 262-4490
Info@krakowwitkingallery.com
krakowwitkingallery.com
Tu–Sabbatum ten–5:30

March 3–April 9: León Ferrari: Heliografía. March 3–April 14: Richard Artschwager, John Baldessari, William Kentridge, Kiki Smith and Liliana Porter: Interiors.

León Ferrari, Espiral (Spiral), 1983/2008, Diazotype on paper, newspaper size: 23 x 23″ (58.4 10 58.iv cm), frame size: 26 ten 25½" (66 10 64.8 cm). Signed, numbered, and dated in ink lower left. Printed in image "21 Espiral c. 1983" lower left. At Krakow Witkin Gallery.
Milton Academy: Nesto Gallery, Fine art & Media Center

170 Centre St., Milton, MA
(617) 898-1798
milton.edu/arts/nesto-gallery
M–F nine–iv (open merely to Milton University community, airtight on schoolhouse holidays)
Virtual Exhibition—milton.edu/exhibit

March three–Apr 22: The Essence We Leave Behind—Heather Lynn Johnson. Johnson's poetry and paintings are characterized past their lyricism, cultural critique, and willingness to lay bare her existence as a butch Black lesbian. With an emphasis on objectification and lost histories, Johnson uses an autobiographical framework and considers her paintings as self-portraits.
MIT Listing Visual Arts Middle

20 Ames St., Cambridge, MA
(617) 253-4680
listinfo@mit.edu
listart.mit.edu
Tu 12–6, W–Th 12–7, F–Su 12–6

Opening March 10:List Projects 24: Sharona Franklin. Opening March 24:Raymond Boisjoly: The Explanatory Void. Opening March 24:Matthew Angelo Harrison: Robota. The Listing Center galleries and programs are ever free and open to the public. Visit listart.mit.edu for programming and exhibition updates along with their most up-to-date visitor information.

Matthew Angelo Harrison, Headdress, 2021. ©Matthew Angelo Harrison. Courtesy of the creative person and Jessica Silverman. Photo: Timothy Johnson. At MIT List Visual Arts Centre.
Montserrat Higher of Fine art Galleries

23 Essex St., Beverly, MA
(978) 921-4242
gallery@montserrat.edu
montserrat.edu/galleries
Please check gallery hours earlier visiting

Through March nineteen, Carol Schlosberg Alumni Gallery: Re-Viewing the By: Paul Emmanuel, Maya Erdelyi, Dell M. Hamilton, Dave Ortega, and Hashemite kingdom of jordan Seaberry. Through Apr 9, 301 Frame Gallery: Gabriel Sosa: Today'south Specials. April xiii–May 14, all galleries: 2022 Senior Thesis Exhibitions.

Maya Erdelyi, still from Pareidolia, 2012, animation short. At Montserrat College of Art Galleries.
Museum of Russian Icons

203 Union Street
Clinton, MA
978.568.5000
info@museumofrussianicons.org
www.museumofrussianicons.org

The Museum of Russian Icons exhibits the most extensive collection of Russian icons and sacred fine art in the U.Due south. Ongoing through spring 2022: Icons for Our Time: Orthodox Art from Around the Globe, 15 contemporary icons from 15 countries that explore iconography today.

Todor Mitrovic, The Secret Supper (or The Last Supper), 2006, egg tempera on forest console, Serbia. At Museum of Russian Icons.
New Art Center

245 Walnut St., Newton, MA
(617) 964-3424
info@newartcenter.org
newartcenter.org
M–F 9–5

Opening March 16: New Fine art's next exhibition in the BIPOC Curatorial Program. Art every bit Salve, curated by Ashleigh Coren, focuses on art every bit healing justice. The exhibit asks the question—How might art function as a holistic intervention for survivors of generational trauma and violence? What would happen if fine art were used equally a symbol for care? Join them at the New Art Corridor, March 16–May 31, 2022.
Peabody Essex Museum

161 Essex St., Salem, MA
(978) 745-9500
pem.org
Th, Sa, Su 10-5, Fr ten-7
Open holiday Mondays

Through May viii: Each/Other: Marie Watt and Cannupa Hanska Luger features the work of two leading Ethnic contemporary artists whose processes focus on collaborative artmaking, community engagement, materials, and the land. Organized by the Denver Art Museum, the exhibition features 26 mixed media sculptures, wall hangings, and large-calibration installation works by Watt (Seneca and German language-Scots) and Luger (Mandan, Hidatsa, Arikara, Lakota, and European).

Marie Watt (Seneca and High german-Scots) and Cannupa Hanska Luger (Mandan, Hidatsa, Arikara, Lakota
and European), Each/Other, 2020–21, as installed at the Denver Art Museum, steel, wool, bandanas, and embroidery thread. Courtesy of the artists. At Peabody Essex Museum.
Pianoforte Arts and crafts Gallery

793 Tremont St., Boston, MA
(262) 215-7140
artpcgboston@gmail.com
pianocraftgallery.com
F half dozen–8, Sa & Su 12–5

Opening April 1: Pell Lucy: In Praise of Form, a group exhibition featuring artists from the Pell Lucy art collective. Artists: Tracey Adams, Deborah Barlow, Mi-Jin Chun, Picket Dunbar, Tina Feingold, Karen Fitzgerald, Laura Gurton, Lynette Haggard, Joseph Hayes, Carole Kunstadt, Joanne Lefrak, Denise Manseau, Diane McGregor, Elizabeth Mead, Kellin Nelson, Paula Overbay, Laura Ann Perry, Gerri Rachins, Taney Roniger, Julie Shapiro, Sarah Slavick, Rhonda Smith, Priya Vadhyar, Debra Weisberg.

Deborah Barlow, Kasetti 2v2, mixed media on sheet, threescore x 60″. At Pianoforte Craft Gallery.
Robert Klein Gallery

38 Newbury St., Suite 402, Boston, MA
(617) 267-7997
inquiry@robertkleingallery.com
robertkleingallery.com
Tu–Sa by appointment

Opening April 9: Lois Conner: Flat Earth. Penumbra Foundation is pleased to present a solo exhibition by renowned New York City-based artist Lois Conner, showcasing a selection of 23 multi-panel landscapes and 17 vintage platinum prints. Conner has been photographing in Asia, Europe, and America since the 1980s. Her photographs are astounding in their limerick and detail, and confirm the possibility of an paradigm that is both specific and general in regards to time, identify, and history. Inspired by hand-whorl Chinese paintings and seduced by the exquisite tonal and quality reproduction of the platinum printing process, Conner's meticulous contact-press practice suggests simplicity, yet information technology conceals the complex technical and formal decisions she makes with remarkable clarity of purpose.

Lois Conner, Apartment Earth, installation view. At Robert Klein Gallery.
South Shore Art Center

119 Ripley Rd., Cohasset, MA
(781) 383-2787
info@ssac.org
ssac.org
M–Sa 10–4

S Shore Art Middle's Bancroft Gallery, through April 2:Ane of a Kind, a juried show by the Monotype Lodge of New England. Gallery Creative person SPOTLight: Denise Byrnes Graham. Opening April vii: Take hold of-22, a national juried show. Gallery Artist SPOTLight: Nancy Colella.
Springfield Museums

21 Edwards St., Springfield, MA
springfieldmuseums.org
Tu–Sa 10–5, Su 11–v

One admission: five museums, including the Amazing Globe of Dr. Seuss Museum. Through May i: Front end Row Center: Icons of Rock, Blues and Soul. Ongoing: Capturing Our Worlds: New Work by the Springfield Photographic Society. Ongoing in the Dr. Seuss Museum: Original art by Theodor Seuss Geisel, aka Dr. Seuss.

Larry Hulst, Jimi Hendrix at the Golden Bear Raceway, Cal Expo, April 26, 1970, photo, courtesy of the artist. At Springfield Museums.
The Guild of Boston Artists

162 Newbury St., Boston, MA
(617) 536-7660
bostonguild@gmail.com
guildofbostonartists.org
Tu–Sa 10:xxx–5:xxx

Apr 2–30: Living Tradition: Students of R.H. Ives Gammell volition feature two prominent works from Gammell'southward career alongside 35 paintings and pastels by past and present Lodge members who studied with the late master. Gammell'south unique atelier model has been adopted in the contemporary didactics studios of many of his students, who continue this painting tradition both hither and away. Opening reception: Saturday, April ii, 3–5 p.m.

Robert Hale Ives Gammell (American, 1893–1981), Bathsheba, 1931, oil on canvass, 54½ x 44¼". Collection of Michael and Nancy Grogan. At The Guild of Boston Artists.
The New England Quilt Museum

xviii Shattuck St., Lowell, MA
(978) 452-4207
neqm.org
Tu–Sa 10–4
Access: $9, children and members: Free

The only institute in the Northeast solely defended to the fine art and arts and crafts of quilting. It's the second-oldest quilt museum in the U.Southward. Ongoing: Wood Quilts, a new series of forest sculptures inspired by traditional and contemporary quilts by Laura Petrovich-Cheney. These quilts are fabricated with reclaimed materials collected from homes destroyed in environmental disasters. NEQM houses special and permanent exhibits, a library, a museum shop, and classrooms. Visit NEQM.org.

Laura Petrovich-Cheney. At New England Quilt Museum.
Iii Stones Gallery

115 Republic Ave., Concord, MA
(978) 254-5932
info@threestonesgallery.com
threestonesgallery.com
Tu–F 10–vi, Sa & Su 12–5

January 4–February 20: Epiphany. The Gallery delights in a moment of sudden revelation and insight from three inspired artists: Michele Lauriat'due south elaborate worlds on paper; Fay Senner's mixed media abstracts; and Wendy Gonick's whimsical collages from retro postcards. The bear witness also features new works by familiar artists. Opening reception: Thursday, January xiii, five:30–7:30 p.m. (Masks and proof of vax required.) Cheque website for updates regarding reception engagement due to weather or COVID restrictions.

Lynne Klemmer, Bloomdido, 2021, mixed media, 24 x 52″. At 3 Stones Gallery.
Worcester Art Museum

55 Salisbury St., Worcester, MA
(508) 799-4406
worcesterart.org
W–Su ten–4

Ongoing: Us Them We | Race Ethnicity Identity—More than 40 contemporary artists explore various perspectives on identity. Through March 13: Love Stories from the National Portrait Gallery, London—an exploration of love's role in the creation of some of the greatest masterpieces of Western art.

Byron Kim (American), Synecdoche, 1992–1998, wax and oil on console. Collection of Noel Kirnon. ©Byron Kim 2022. Image courtesy of the artist and James Cohan, New York. At Worcester Art Museum.

RHODE Island

Bannister Art Gallery at Rhode Island College

600 Mt. Pleasant Ave., Providence, RI
(401) 456-9765
bannistergallery@ric.edu
ric.edu/bannister
Chiliad–F 12–8 or by appointment

Through March 18:Doug Bosch: Apparati. Art and science collide in this exhibition past Doug Bosch, who draws upon the aesthetics of early-age scientific discipline to stage hybrid sculptures. March 31–April 22: The Emerging Image: Kamini Avril and William Tucker. Widely respected as a modernist sculptor, Tucker volition showcase smaller-scale statuary sculptures alongside Avril, a erstwhile Guggenheim beau and celebrated painter.
Chazan Gallery at Wheeler

228 Angell St., Providence, RI
(401) 528-2227
info@chazangallery.org
chazangallery.org
M–F 3–half-dozen, Sa 11–4, Su 12–4 and by appointment

Through Nov 10: Enigmatic Space, works past Mara Metcalf, Kristin Street, Tina Tryforos. November 18–December 8: John Udvardy, Sculpture (solo show). Reception: Thursday, November eighteen, five–viii p.grand.
Jamestown Arts Center

18 Valley St., Jamestown, RI
(401) 560-0979
info@jamestownartcenter.org
jamestownartcenter.org
W, F, Sa 11–3, Th 11–seven

March xviii–May seven: RAW: Reassessment and Wonder explores work past 10 artists who take recently made radical shifts in their practice—from materials and techniques to confronting cultural, personal, and social identities. Curated by Danielle Ogden. The JAC is a leading arts and cultural space in Rhode Island supporting emerging and established artists through exhibitions and programming.

ML Kirchner, The Phoenix, Frederick, 2020, archival ink on Hahnemuhle photo rag paper. At Jamestown Arts Center.

Vermont

Brattleboro Museum & Art Eye

10 Vernon Street
Brattleboro VT 05301
802-257-0124
www.brattleboromuseum.org
West–Su 10–iv (Airtight Monday and Tuesday)

Through February xiii: Guild of Vermont Article of furniture Makers: Evolving Traditions. Natalie Frank: Painting with Paper, B. Lynch: Pull Dorsum the Curtain. Opening February nineteen: 2022 Vermont Scholastic Art & Writing Awards. Ongoing: Vermont Glass Guild: Inspired by the Past, William Ransom: Keep Upward/Hold Upwardly, Michael Abrams: Arcadia Rediscovered.

Natalie Frank,Woman with Iguana, 2020, linen paper pulp on cotton wool base sail, 28 ten 21″. Courtesy of the artist and Salon 94, New York. © Natalie Frank. At Brattleboro Museum & Fine art Eye.

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Burlington Urban center Arts

135 Church St., Burlington, VT
burlingtoncityarts.org
(802) 865-7166
W–F 12–v, Sa 12–eight

Through February 5, 2022:Bradley Borthwick: Objects of Empire—A sculptural installation evolving from the artist's inquiry of the Dorset marble quarry of Vermont, featuring mitt-carved facsimiles of headstone and amphora, as well equally several beeswax models.Unbound—three New England artists explore gimmicky approaches to abstraction as it relates to architecture, infinite, and materials. Artists are united by their use of geometric, shaped forms that push exterior the boundaries of the ubiquitous rectangle.

Kirsten Reynolds,The Slightest Shift, 2020, woods, paint, 10.v x 25 x xv′. Photograph: Will Howcroft. At Burlington Urban center Arts.
Hall Fine art Foundation

544 VT Route 106, Reading, VT
vermont@hallartfoundation.org
hallartfoundation.org
Through November 28, weekends, eleven–four, cocky-guided tours

The Hall Art Foundation presents exhibitions of postwar and contemporary fine art. On view through Nov 28:Deep Bluish, curated by Katherine Bradford; Katherine Bradford: Philosophers' Clambake; with Clark Derbes: Time Travelers and Portals. Advance reservations recommended, though non required. Admission $10.
Long River Gallery

49 Southward Main St., White River Junction, VT
(802) 295-4567
art@longrivergallery.com
longrivergallery.com
Westward–Sa eleven–v, Su eleven–3

Fine art and craft made in Vermont and New Hampshire. Opening Dec 1: Past & Present—Textural Scottish Landscapes. Using traditional and experimental techniques, Julie Crabtree's fiber artwork incorporates many layers of stitching, painted dyed backgrounds, distressed fabrics, and mixed mediums. Inspired by nature in all its forms to create a textural estimation of the environment.

Julie Crabtree, Traigh Mhor Lewis Coastline, cobweb art, 12 10 20″. At Long River Gallery.
Studio Identify Arts

201 N Main St., Barre, VT
(802) 479-7069
studioplacearts.com
W–F 11:30–5, Sa xi:30–iv

January 26–March 5, Main Gallery: Face up Information technology—work by 30 artists. Second floor: What the machines told me by Ned Richardson. Third floor: Call and Response past The Photographers Workroom. For information about iv exhibits at SPA and two off-site SPA exhibits nearby, visit studioplacearts.com. SPA is a working art centre with contemporary art exhibits, creative person studios, and a classroom for educational activities.

Baronial Burns, Written report in Blue Light, oil on linen, 12 x 15″. At Studio Place Arts.
The Current

90 Pond St.,Stowe, VT
(802) 253-8358
thecurrentnow.org

Opening Jan 19: Catherine Opie. In this solo exhibition, Opie investigates the parallels between natural and political landscapes, and their connections to our sense of identity and community. Large scale photographs of swamps, national parks, and other bathetic iconic landscapes are both gorgeous documentations and a tranquility plea for environmental preservation. See the website for the list of public programs.

Courtesy of the artist Catherine Opie and Lehmann Maupin, New York, Hong Kong, Seoul and London and Regen Projects, Los Angeles. At The Electric current.

NEW HAMPSHIRE

3S Artspace

319 Vaughan St., Portsmouth, NH
(603) 766-3330
info@3sarts.org
3sarts.org
Th–Sa 10–6, Su 12–5

Opening Nov 19:A Serenity Reach. Daniel Minter'south work raises awareness of the forced removal in 1912 of an interracial community on Maine's Malaga Island. "My work regarding the story of Malaga Island has been a process of learning and telling, telling and showing, showing and feeling." Opening Nov 19:Vision and Visibility. Piece of work by emerging, New England-based, BIPOC artists presented past 3S Artspace and Black Heritage Trail of New Hampshire. Gratis and open to the public.

Daniel Minter, Governor's Tea, 2019, acrylic on canvas and wood, 42 x threescore″. At 3S Artspace.

Left to right: Cynthia Velásquez-Owens, Fruits of My Labor, 2021, mixed media dirt, 9.v ten 5 x 4″. Laura Di Piazza, Georgia Blossom, 2021, giclée print. Jasmine Milton, Trey, 2021, acrylic on canvas, 16 x 20″. At 3S Artspace.
Currier Museum of Art

150 Ash St., Manchester, NH
(603) 669-6144
visitor@currier.org
currier.org
Th 10–8, F–Su 10–v

Ranging from the Renaissance to the present, the Currier Museum collection includes major works by Ruisdael, Bierstadt, Monet, Picasso, Matisse, Hopper, Wyeth, Mitchell, and many others. The galleries are changed regularly to highlight themes from the drove. Special exhibitions are always on view, visit Currier.org for details. Opening March 31: Warhol Screen Tests. Opening April 14: Arghavan Khosravi.

Arghavan Khosravi, The Incertitude, 2020, acrylic on found textile and cotton canvas over woods console, leather cord, 39 ten 61½. Courtesy of the artist. ©Arghavan Khosravi, 2021. At Currier Museum of Fine art.
Hood Museum of Art, Dartmouth

6 East Wheelock St., Hanover, NH
hood.museum@dartmouth.edu
hoodmuseum.dartmouth.edu
Due west eleven–five, Th–F 11–eight, Sa one–5
Free and open to all

Ongoing: Thornton Punch: The Tiger True cat. In 2021, the Hood Museum of Art caused ten artworks from the Souls Grown Deep Foundation, including the three by Thornton Punch that grade Thornton Dial: The Tiger Cat. This exhibition asks us to consider the means in which Dial'south piece of work broadens our understanding of American art.

Thornton Punch, Sky and Hell on Earth, 1995, mixed media. Purchased through the Evelyn A. and William B. Jaffe 2015 Fund; 2021.11.2. ©2021 Manor of Thornton Dial/Artists Rights Club (ARS), New York. At Hood Museum of Fine art.
Kelley Stelling Contemporary

@ Kimball Jenkins
266 N. Chief St., Concur, NH
(603) 225-3932
kimballjenkins.com
kelleystellingcontemporary.com
Yard–F 9–iv

Opening November twenty: Contemporary installation mingles with Victorian extravagance in The Dysfunction of Social Practice presented past Kelley Stelling Gimmicky at Kimball Jenkins. Artists include Zach Dewitt, Emmett Donlon, Rosemary Mack, Heather Morgan, and Meghan Samson. Clay, paint, miniatures, and a performative mouse circus blend for a lively journey through the mansion. Benefit Performance by NH Trip the light fantastic toe Collaborative on Thursday, December ii. Find tickets at Kimball Jenkins website.
Lamont Gallery

Phillips Exeter University
11 Tan Ln., Exeter, NH
(603) 777-3461
gallery@exeter.edu
exeter.edu/lamontgallery
Reservations required

Through December 18: Forces in Motion: Gordon D. Hunt. Artist and educator Gordon D. Chase asks big questions in dynamic ways; through intensely gestural paintings, powerful blackness-and-white drawings, or piercingly athwart sculpture. Chase creates art with a social conscience to test our assumptions about how we affect—and are affected by—the world we share. Visit their website for more data and to make a reservation.